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Grateful Dead Live at Buckeye Lake Music Center on 1993-06-11

Set 1

Jack Straw
Foolish Heart ->
The Same Thing
Lazy River Road
Just Like Tom Thumb's Blues ->
When I Paint My Masterpiece
So Many Roads
The Promised Land

Set 2

Eyes Of The World
Playing In The Band ->
Uncle John's Band ->
Corrina ->
Drums ->
Space ->
The Wheel ->
All Along The Watchtower ->
Black Peter ->
Sugar Magnolia

Brokedown Palace

Collection GratefulDead
Band/Artist Grateful Dead
Date June 11, 1993
Venue Buckeye Lake Music Center
Location Hebron, OH

Source Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand
Lineage DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taped by Recorded by Todd Evans, Adam Gross and Bill Pobega
Transferred by Jamie Waddell


almost no editing done, save for about 12 seconds of loud crowd screams on either end. A very nice show, especially second set when the energetic crowd settles down. Enjoy.

**48kHz source available email Jamie at**

Listen carefully during Eyes (right channel) ... you'll hear a guy shout
"I NEED A CONDOM" ... I look over and see a guy fully naked
(at full staff with flag flying high) ... what does not really come through
(thankfully) on the tape is that the guy is screaming I want to make love
to Jerry Garcia ... truly a head full of dosed snakes ... security comes
down with a plastic wrap (blanket?) that they wrap around the guy, pick
him up on their shoulders and carry him away ... I know nothing to do
with the music ... but one of the bizarre events that were always
happening at shows. - Todd


Reviewer: njpg - - March 3, 2014
Subject: -
Another in a string of excellent shows.
Reviewer: JoeShoe - - April 10, 2011
Subject: sun is shining weather is sweet...
This show smokes. The first show of my first summer tour and the ideal venue and show. Buckeye was out in the country and you parked in grassy fields and it was all general admission with trees inside. They let us party in the lot until the sun came up the next morning, very chill scene. One of the better summer tour venues they played in the stadium era.
Raging Jack Straw into sugar sweet Foolish Heart to open. In fact, this is one of my favorite Foolish Hearts, Jerry just keeps the final jam going and going, he doesnt want it to end. This JS>Foolish Heart is one of the better one/two openers around, right up there with the Dancin>Bird Song from 7-15-84. The rest of the set is average songs well played and closes with a heartfelt So Many Roads into a smokin' Promised Land with Vince doing some boogie-woogie piano runs to the delight of the crowd.
Second set opens with the perfect summer evening tune, a workmanlike Eyes, shades of 6-10-73, right outside this lazy summer home... Eyes flows into the classic Playin>Uncle Johns combo, ultra-smooth transition and both are played to the hilt. Even the Corrina rocks w/ a smoldering jam into Drumz, one of the better versions of this much maligned tune. Trippy space leads into a hoppin Wheel, then the obligitory Watchtower. Black Peter is a real powerhouse with Jerry in fine form and Vince playing some nice organ. Blazing Sugar Mags brings the house down.
The Brokedown encore is picture perfect, I can still feel the cool summer breeze when I listen.
Just look at the setlist folks, this is what dreams are made of.
This is a really crisp aud with lots of full bass, not the best 90s aud on here but very listenable.
4 stars for crisp aud.
4+ for classic summertime setlist(I'd give it 5 if it werent for some average versions of oft played tunes in the middle of 1st set)
4+ for playing
Reviewer: rockthing - - August 11, 2010
Subject: Holy Phil! let's get the set list right, ok?
Holy Phil!! Mega bass.
If I had a subwoofer I think my house
would have collapsed by now.

There's a lot of crowd noise during
Jack Straw, but that's cool,
reminds me of being there.
This (mostly one guy)
seems to calm down a bit
after Foolish Heart.
Sometimes I felt the crowd was louder
than the PA when I was at the shows, so
it kind of makes sense.

I think this seed would probably get
more downloads if
the set list were noted correctly

Track 1 should be "Crowd 1"
or something like that
and then

Track 10,
should also be a "crowd" track.

Once that it taken care of
then the song titles actually match
the music, which makes it a lot better. :-)

Of course, you can do that at home (kids),
why not have it done right in the first place?
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on 6/12/2008
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
Source: 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
( 1 reviews )
Source: Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Grateful Dead
by Grateful Dead
Source: flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo
Grateful Dead
by Grateful Dead
Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Grateful Dead
by Grateful Dead
Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8